Showing posts with label Andrea Beeman. Show all posts
Showing posts with label Andrea Beeman. Show all posts

Wednesday, May 25, 2011

Faculty News

Check out what the Peridance Faculty are up to this June!

Jazz teacher, Tracie Stanfield's company, Synthesis Dance Project, will be performing as guests of the Young Choreographers Festival at Symphony Space on June 11. The company will also be performing at a gala benefit for Drea's Dream on June 14 and at The Jersey Arts Shore in Ocean Grove, NJ on June 25.


Contemporary teacher, Korhan Basaran and Dancers are having a gala performance with two world premieres at the Ailey Citigroup Theater on the 21st of June, 8pm...one night only!




Theater dance teacher, Bill Hastings is now a faculty member for the on going Jack Cole Workshop starting at Steps NYC beginning in June. He is also going to Naples, Italy to teach and adjudicate the year end school exams!



Contemporary teachers, Marijke Eliasberg & Jana Hicks' company, The Next Stage Project (TNSP) presented a new work at: Pushing Progress The Showcase Series, May 21st at MMAC. TNSP will take 13+ dancers
from the USA & Europe to Béziers, France May 31- June 6th to perform and teach! After the performance in France, Jana & Marijke travel to the Netherlands to teach master classes in Amsterdam and The Hague.

Hip Hop teacher, Nobuya Nagahama is producing his own show this summer, "Dans-A-Live" at Public Assembly (70 North 6th St. Brooklyn, NY) 7:30pm on Sunday, July 10th. Ticket: $10 in advance, $15 at door. For more info, check his website. He is also performing June 6th at "Le Squeezebox Cabaret," 9:30pm http://www.lesqueezebox.com/.


Belly Dance teacher, Andrea Beeman will be performing at the following events this June: Tagine Dining Gallery presents Andrea Anwar & Deirdre, Saturday, June 4th 9:30& 11:30PM www.taginedining.com, Greenhouse Holistic June 17, 9:00PM (783 Driggs at S.4th, Williamsburg, Brooklyn), Crest True Value Hardware, June 18, 4:00-7:00PM (558 Metropolitan Ave Brooklyn, NY), & Le Scandal Saturday, June 2510:00PM (The West Bank Cafe, Laurie Beechman Theatre 407 West 42nd Street).

Also Andrea will be hosting her 6th Annual Summer Celebration, featuring performances by Andrea & her students the Dancing Rubies & Rubettes will be June 11th at 7:15PM. MBR (Moving Body Resources) 112 West 27th Street, 4th floor, NYC between 6th & 7th Avenues on the south side of the street ring buzzer 402.


Friday, April 29, 2011

Faculty News

Spring Updates from Your Peridance Faculty!


Brian Carey Chung was recently accepted into Columbia University's Pre-med program. He hopes to become a Doctor of Physical Medicine and apply that knowledge to helping dancers heal from injuries.




Sifa Marta's dance group THe Zifadanz Group will be performing with Rob Voisey's Vox Novus in 60x60 Dance, May 21st as part of Dance Parades's Dance Fest. (Tompkins Square Park, 4pm)




Antonia Katrandijeva's Overground Physical Theater Company is performing at DTW June 29th-July 2nd, 7:20pm. For tickets visit www.dtw.org.




Andrea Beeman will be performing at:
Tagine Dining Gallery on April 30 & May 7th 9:30 & 11:30pm shows.
Lafayette Grill on May 15th 2-5pm.
The Dance Parade on May 21st 3-7pm in Tompkins Square Park.


Bill Hastings just completed a three week residency at Jacob's Pillow regarding the work of Jack Cole, the father of Theater Dance as we know it.




Ashley Carter's DoubleTake Dance Compny is performing on May 14th at Schermerhorn Performance Space, a choreographers series presented by the Brooklyn Ballet. Tickets available here. Also stay tuned for a full-length this summer! Check www.DoubleTakeDanceCo.com.


Korhan Basaran will be teaching a modern guest series at DNA the last week of May. He is also looking for male dancers for a Gala Performance taking place in June. Check out his facebook for more info or take his class Mondays @ 1pm.




Rachel List will be performing with The New York Baroque Dance Company in a Handel Festival taking place in Goettingen, Germany this May & June. The company will perform Handel's opera "Teseo" and with the Hanoverian Court Orchestra.



Anabella Lenzu's DanceDrama will be performing with the 60x60 Project at the Dance Parade Festival, May 21st 2-4pm in Tompkins Square Park.




The Limon Professional Studies Program (PSP) 2010/11 is performing on May 13th at MMAC, 7:30pm.

Tuesday, September 28, 2010

One of the World’s Oldest Dance Styles

Peridance is excited to add Belly Dance with Andrea Beeman to the Fall Schedule!

Most people have heard of belly dance and even have a mental image of a girl scantily clad and enveloped in beads... but what really is belly dance?


The ancient art of belly dance can trace its roots to the dance & music arts which began to develop over 4,000 years ago in North Africa, the Mediterranean, the Middle East, and Asia. These diverse areas share a rich tradition of music and dance which were performed to celebrate harvests, weddings, circumcisions and seasonal changes, and to honor special guests and to mark significant civic occasions. There are different theories about how the dance spread from region to region, but many now believe that when the Roma from India migrated west through Afghanistan and Persia, characteristics of their dance mingled with the traditions of the indigenous communities where they eventually settled. Another theory traces the dance's development to religious rituals, which were performed in ancient, matriarchal societies.

The movements of modern Belly Dance draw from North African, Arabic, Persian, Greek, Balkan,Turkish, Roma & Indian folkloric traditions. Some therapeutic and ritualistic qualities of the dance are still practiced today in Morocco, Egypt, Algeria & Tunisia. Belly Dance was first seen in America in 1876, but did not draw public attention until 1893 when it was presented at the Chicago World's Fair, where it caused quite a stir. Fully clothed dancers from Tunisia, Eqypt and Turkey scandalized the Victorian crowds with their exposed ankles, "convolutions" and "suggestive" movements, resulting in a stigma the dance has only now begun to shed.

In the 1920s, in Cairo, Algiers and Beirut, the Cabaret style of Belly Dance began to develop. The Egyptian film industry began to flourish at this time, featuring many dancers in its films. Hollywood exerted a strong influence on the costumes of this time and rhinestones, glass beads and sequins covered bras and hip belts, replacing the figure-hugging baladi dresses that previously covered dancers from head to foot. Thus, Hollywood's fantasy of the Orient played a large role in creating the current Western image of Belly Dance.












Baladi dress (left)
Hollywood inspired costume (right)


Belly Dance has crossed many borders and spawned many hybrid forms over the centuries. For instance, in U.S. Tribal Style, Belly Dance combines with North African Dance, Flamenco, and Classical Indian influences to create a unique style. In any form, Belly Dance remains a dance of self-expression, capable of conveying a range of emotions, and empowering dancers—women and men, young and old--as they experience the joyous exuberance inherent in one of the oldest dance forms in the world.

At Peridance…
Andrea Beeman's Belly Dance classes focus mainly on a classic Arabic technique, which in the last 40 years has been most influenced by the modern Egyptian style. To this strong foundation of Arabic isolations and body movements, Andrea adds Turkish, North African, Roma, Indian & Persian Gulf stylings, as well as some contemporary fusion combinations. Developing musicality & understanding the Middle Eastern rhythms which inspire the movements is an integral part of mastering this diverse and mesmerizing dance art form, so as dancers develop, Andrea also teaches the art of playing finger cymbals or zills.

Belly Dance comes from very old traditions of dance, do people need to wear anything in particular for class?
To better feel and see the movements of the hips, a hip scarf can be worn around the hips in class. A hip scarf can be a simple, triangular fringed shawl or a more elaborate fabric covered with coins, beads or sequins. Belly Dance is best done bare foot, so the dancer can feel the connection between the earth, feet and hips. Comfortable dance workout clothes complete the ensemble.

Why is it important to have a live drummer for class?
The unique rhythms played by the darbukah or dumbek--the goblet shaped drum heard in Middle Eastern music--are the heartbeat of the dance, directing the feeling & tempo of the movements. Having a live drummer in class helps students better understand the rhythms themselves as well as their intrinsic relationship to the movements. During live performances of Middle Eastern dance & music, the rapport between the drummer and dancer is very important; giving students the opportunity to experience this relationship in class helps prepare them for performances with live music. Every student may not aspire to perform, but a live drummer makes the class experience itself more exhilarating.

Andrea, why did you choose Belly Dance?
In 1988, I studied Japanese Butoh dance with Yokio Waguri of Nakajima. He compared my instinctual movement during improvisation to that of Salome, so I decided to try a Belly Dance class to see what he meant. I immediately became fascinated by Belly Dance: the sensuous serpentine movements & the incredible music inspired the self-expression I had been searching for in other dance art forms. Before I knew it, I was taking several Belly Dance classes each week, performing with different companies in New York, & eventually, teaching & sharing my passion for the dance with others. I don't think I chose Belly Dance, I think it chose me.

See Andrea in performance:



Andrea Beeman teaches at Peridance:
Thursday 8:30-9:45 and Sunday 5:30-6:45
For more information on her classes visit our website.