Showing posts with label union square. Show all posts
Showing posts with label union square. Show all posts

Friday, July 27, 2012

Peridance Contemporary Dance Company in Union Square

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“It’s hot,” is the first thing out of Kentaro Kikuchi’s mouth once he has finished performing for Union Square’s Summer in the Square event. This is stating the obvious – the stage is burning to the touch and sweat coats performers and audience alike – but it cannot not be left unsaid. It is really, really, hot. But the show goes on.

  

Peridance Contemporary Dance Company performed work by Kristin Sudeikis, Sidra Bell and Igal Perry last night for the audience gathered in Union Square.  Judging from the quickly growing number passerby who stopped to watch, the contemporary company appeals to a wide array of people.

“The last show was really well received,” says Union in the Square event worker Jennifer Terry of PCDC's previous performance in Union Square on July 12th. “People were asking when Peridance was coming back” she says.

The show begins with Kristin Sudeikis’ I am you. Madison McPhail is onstage alone, but the whole company is already performing as they stand to the side of the stage, their focus on Madison. Throughout the 40 minute show the dancers are present whether onstage or not, and their commitment to one other is evident; Kentaro and Midori Nonaka are in perfect unison in Sidra Bell's The Ungathered.  Nikki Holck and Kentaro partner with a solid trust that results in swirling turns and lifts. Leigh Lijoi and Zach Thomas exchange private glances in Igal Perry’s El Amor Brujo and the audience gets to feel like they are a part of the duet.

The sweat flies off of the dancers bodies like projectiles now. It’s not getting any cooler and the sun isn’t setting fast enough. But if the PCDC dancers are getting tired, it doesn’t show. And the audience just keeps growing.

Sidra Bell’s The Ungathered is all reaches and balances, a dance that yearns to extend beyond the physical limits. But those limits that the dancers do reach are extreme and exciting. Timothy Emmett Lee Ward balances in posse for so long, it is like he does not believe in falling. Developpe’s a la seconde seem to aim for the sky. The strength necessary for such movement is countered by the graceful, performances of PCDC.



The dancers are naturally emotive, and they shift quickly between choreography that is hard and fast or slow, almost animalistic. Like yesterday’s rapidly changing weather (some later events had to be cancelled due to incoming storms) Peridance Contemporary Dance Company is able to perform highly dynamic work.

Wednesday, June 27, 2012

2012 Summer in the Square

Join Peridance Capezio Center and Union Square Partnership as we celebrate dance with Summer in the Square!




Peridance is offering a series of free dance classes every Thursday in Union Square Park, and Peridance Contemporary Dance Company will give two free performances on the outdoor stage.  It's going to be a lot of fun sharing our love of dance in the sunshine!  
Did we mention that all events are free?!

Friday, December 16, 2011

APAP Artist Showcases at Peridance Capezio Center

Peridance Capezio Center is proud to present an exciting collective of dance companies in two programs during the 2012 Association of Performing Arts Presenters Conference (APAP) at its Salvatore Capezio Theater. 




APAP provides a unique and encompassing opportunity for artists to showcase their work in a platform that will put them in contact with arts presenters from across the globe.


With over 25 years of experience in the dance arena, a brand new theater, and a contemporary perspective, Peridance has carefully curated its programs to reflect the artistic excellence, creativity, diversity and audience appeal that presenters are 
looking for.


For more information check our website. Co Producer Yarden Ronen-van Heerden.

Wednesday, August 24, 2011

Buglisi Dance Theatre Repertory Workshop & the Table of Silence Project


Be a Part of a Historic Event!



Next week Peridance is excited to have Jacqulyn Buglisi, Artistic Director of Buglisi Dance Theater in the studio. Jacqulyn and some of the company’s dancers will lead a workshop, which will begin with a short ballet barre, followed by improvisations that explore dance as a language that enhances dramatic focus and expressiveness. 

Buglsii Dance Theatre's Table of Silence Project Workshop at Peridance Capezio Center will provide dancers with an opportunity to share in BDT's creative process through the style and movement vocabulary that will be used in the Table of Silence Project 9/11, a site-specific performance for 100 dancers commemorating the tenth anniversary of September 11th. Emphasized are focus and the dramatic use of opposition onstage, as well as performance elements and techniques to enhance a dancer's communication with the audience.

Workshop participants may be asked to perform in the historic Table of Silence Project 9/11 event on the Josie Robertson Plaza at Lincoln Center, Sunday morning, September 11th. This poignant, 12 minute ceremonial event - creating a peace labyrinth - will culminate symbolically at 8:46 a.m. with the dancers encircling the Revson Fountain, raising their arms in a universal gesture of peace.


Buglisi Dance Theatre Repertory Workshop
Aug 29, 2011 - Sep 2, 2011; Mon - Fri
11:30 AM - 1:00 PM 
Click here to register. 

For more information on Buglisi Dance Theatre visit their website.

Tuesday, July 19, 2011

Workshop Spotlight

Peridance Martial Arts Instructor, Joseph Zeisky will be teaching a Bagua/Qigong Workshop this Summer!


The workshop, "Three Saturdays" (July 23rd, August 20th & August 27th) focuses on a unique principle of Bagua. Unfamiliar with the practice myself I asked Joseph if he would give me an introduction to Martial Arts and explain what drew him to make it a life practice.

1. How did you first get involved in studying Martial Arts?
When I was 8yrs old my Father took me to see the classic martial arts movie, "Enter the Dragon", starring the iconic movie star Bruce Lee. Like most kids who saw that movie in the early 1970's, I too was greatly inspired to start learning martial arts. Soon afterwards I begged my Father to sign me up at a local Karate school near our Sunnyside Queens, New York home. Most of my martial arts exposure and influence, from early childhood up to my teenage years, came from New York City's martial arts movie theaters, especially Chinatown’s Music Palace Theater, which was located off of Canal St. and Bowery. Almost every Saturday after work, my Father and his good Chinese friend “Uncle Ho” would go for Chinese food and Kung Fu movies and they’d always take me along...It was great fun!

2. What drew you to select the particular forms you have chosen to focus on in your career?
Most of those martial arts films I was exposed to as a kid usually demonstrated the more dramatic styles like Karate, Shaolin Kung-Fu, Snake, Tiger, Monkey, Crane, Praying Mantis, boxing, jujitsu and other external styles. So as a teenager, when I first encountered the much more slowly performed and less dramatic forms of the Internal Martial Art of Tai Chi Chuan, I was simultaneous mystified and intrigued. At the time, it was quite the radical departure from what I was used to in terms of what I thought a martial art should look like and feel like, but I was pretty much hooked the first time I saw Taichi performed at an art gallery/Taichi school in Soho, NY in 1984. Even though I couldn’t explain exactly why I liked it so much, I intuitively knew there was something there well worth exploring further. It’s now been twenty-seven years since my first Taichi class and I’m really happy I followed my intuition. The core principles and practices of Taichi further led me on another exciting journey of studying and practicing other dynamic and equally powerful Internal Martial Arts styles such as: Bagua, Xingyi and Aikido. Presently, Bagua and Taichi are the primary arts that I teach and practice.

Friday, March 4, 2011

Upcoming Workshop/Audition!

Chicago's Deeply Rooted Dance Theater
Workshop/Audition: Sunday, March 13th 4-7pm!



Rooted in African-American traditions of storytelling and universal themes in contemporary modern dance, Deeply Rooted Dance Theater performs world class dance that entertains, inspires, and builds community. The workshop, taught by Artistic Director, Kevin lega Jeff and Associate Artistic Director, Gary Abbott will convey the company's mission and choreographic philosophy.

*Students interested in using the workshop as an audition for the company's 2011 Summer Dance Intensive should bring a resume and headshot.

To pre-register for the class visit our website at www.peridance.com.


Monday, February 21, 2011

An Interview with Korhan Basaran

I spoke with Turkish choreographer and dancer, Korhan Basaran to find out what made him switch to dancing and how he came to teach and work in New York.


How did you first get into dancing?

I started out as an actor and began dancing around twenty to aid my skills in acting. Within my first year of training, I was offered a contract from the State Ballet of Turkey. There were guests coming through from all over the world, which was an amazing opportunity for me to gain exposure. After two to three years dancing there I was offered a leading role by another company in Turkey. After that I began working with a modern company and started premiering some of my own works.





What brought you to New York?


I came to New York about two years ago to find and establish my own vocabulary, language, and movement in dance. Once I was here I received a scholarship from the Cunningham Studio and had the privilege of meeting the late Mr. Cunningham and performing with the Cunningham Repertory Understudy Group.


You work extensively as a choreographer and performer as well as a teacher, right?


I did the choreography for “Hisseli Harikalar Kumpanyasi,” the first ever Turkish musical production in New York, performed at the Beacon Theater in June 2009. My piece, “Seeking Beauty” premiered in November of that year. “K Search for L” premiered in June 2010 and most recently, “the Second Elegy” premiered on the 15th of December 2010 at the Cunningham studio.



What makes your class unique?


My class is a contemporary technique based on all of the styles I have experienced in my life as a dancer. It begins on the floor then leading into a floor combination to connect everything before standing up. The class then moves into your basic tendus and plies to warm-up, initially the footwork is basic, but gradually it becomes quite complex. The class is challenging, I am constantly trying to challenge my own instrument as well. The choreography we do during the second half of the class allows the dancers to taste my movement and style. I do not repeat combinations from class to class, but I do work with similar movements that I am drawn to.


If you could give other dancers one piece of advice?


It is extremely important to learn to keep your center strong. I am a tall dancer and I had to learn to strengthen my core to give myself the control required to dance. Once I did acquire this strength and control I was able to utilize speed much more effectively. Articulation of the entire body is also particularly important especially of the feet. These are two qualities a dancer needs to hone to take their dancing to a higher level.


Watch Korhan's Performance at the 2010 Peridance Faculty Showcase:


Korhan teaches contemporary at Peridance Capezio Center Mondays 1-2:30pm. For more information click here.

Thursday, January 27, 2011

Faculty & Student Showcases




Two showcases, one weekend!
See unparalleled performance created by Peridance faculty, and experience the creativity and talent of Peridance students.

Participating Faulty:
Alan Danielson, Alexandre Proia, Anabella Lenzu, Andrea Beeman, Antonia Katrandjieva, Benjamin Nathan, Cecilia Marta, Diego Funes, Grant Chang, Jana Hicks, Joanna Numata, Korhan Basaran, Kristin Sudeikis, Marjike Eliasberg, Marinda Davis, Nina Buisson, Oliver Steele, Parijat Desai, Sekou McMiller, Shelby Kaufman, Sifa Marti, Tomita Masayo, Yuki Hasegawa, and Igal Perry.

FACULTY SHOWCASE
FEBRUARY 5, 2011 - 8:30pm
FEBRUARY 6, 2011 - 3:00pm
TICKETS $18/$12 Students
Tickets available at Peridance's Box Office or online at peridance.com (service fee may apply).

STUDENT SHOWCASE
FEBRUARY 6, 2011 - 7:30pm
TICKETS $15/$12 Students
Tickets available the day-of at

Peridance's Box Office.

Watch excerpts from the last showcase:



*Produced by Yarden Ronen-van Heerden

Friday, January 21, 2011

Peridance Capezio Center's KIDS FAIR

We hope you will be joining us THIS Sunday, January 23rd from 11am-3pm right here at Peridance for this year's KIDS FAIR!
This is an event you will not want to miss...

- 95.5 WPLJ radio station will be here doing "shout outs" on the radio and giving away prizes!
- Meet & greet with representatives from some of the top Performing Arts Camps in the tri-state area.
Wether your child is interested in a day camp or sleep away camp there will be a lots to choose from here at the KIDS FAIR!

- Dubspot will give a FREE DJ lesson at 1pm.
- Free PeriChild dance classes in Hip-Hop, Salsa, Musical Theater and more!
- Goody Bags for the first 100 attendees with Capezio items, discount show tickets and more surprises.
- Pizza and yummy treats.

A FUN PARTY YOU AND YOUR CHILD WON'T WANT TO MISS - GOOD FOR ALL AGES!



Tuesday, January 4, 2011