The dancers are naturally emotive, and they shift quickly between choreography that is hard and fast or slow, almost animalistic. Like yesterday’s rapidly changing weather (some later events had to be cancelled due to incoming storms) Peridance Contemporary Dance Company is able to perform highly dynamic work.
Friday, July 27, 2012
Peridance Contemporary Dance Company in Union Square
The dancers are naturally emotive, and they shift quickly between choreography that is hard and fast or slow, almost animalistic. Like yesterday’s rapidly changing weather (some later events had to be cancelled due to incoming storms) Peridance Contemporary Dance Company is able to perform highly dynamic work.
Wednesday, June 27, 2012
2012 Summer in the Square
Join Peridance Capezio Center and Union Square Partnership as we celebrate dance with Summer in the Square!
Friday, December 16, 2011
APAP Artist Showcases at Peridance Capezio Center
APAP provides a unique and encompassing opportunity for artists to showcase their work in a platform that will put them in contact with arts presenters from across the globe.
With over 25 years of experience in the dance arena, a brand new theater, and a contemporary perspective, Peridance has carefully curated its programs to reflect the artistic excellence, creativity, diversity and audience appeal that presenters are
looking for.
For more information check our website. Co Producer Yarden Ronen-van Heerden.
Wednesday, August 24, 2011
Buglisi Dance Theatre Repertory Workshop & the Table of Silence Project
Be a Part of a Historic Event!
Workshop participants may be asked to perform in the historic Table of Silence Project 9/11 event on the Josie Robertson Plaza at Lincoln Center, Sunday morning, September 11th. This poignant, 12 minute ceremonial event - creating a peace labyrinth - will culminate symbolically at 8:46 a.m. with the dancers encircling the Revson Fountain, raising their arms in a universal gesture of peace.
11:30 AM - 1:00 PM
Tuesday, July 19, 2011
Workshop Spotlight

Monday, March 28, 2011
Spring Fundraiser!
Friday, March 4, 2011
Upcoming Workshop/Audition!

Monday, February 21, 2011
An Interview with Korhan Basaran
How did you first get into dancing?
I started out as an actor and began dancing around twenty to aid my skills in acting. Within my first year of training, I was offered a contract from the State Ballet of Turkey. There were guests coming through from all over the world, which was an amazing opportunity for me to gain exposure. After two to three years dancing there I was offered a leading role by another company in Turkey. After that I began working with a modern company and started premiering some of my own works.

What brought you to New York?
I came to New York about two years ago to find and establish my own vocabulary, language, and movement in dance. Once I was here I received a scholarship from the Cunningham Studio and had the privilege of meeting the late Mr. Cunningham and performing with the Cunningham Repertory Understudy Group.
You work extensively as a choreographer and performer as well as a teacher, right?
I did the choreography for “Hisseli Harikalar Kumpanyasi,” the first ever Turkish musical production in New York, performed at the Beacon Theater in June 2009. My piece, “Seeking Beauty” premiered in November of that year. “K Search for L” premiered in June 2010 and most recently, “the Second Elegy” premiered on the 15th of December 2010 at the Cunningham studio.

What makes your class unique?
My class is a contemporary technique based on all of the styles I have experienced in my life as a dancer. It begins on the floor then leading into a floor combination to connect everything before standing up. The class then moves into your basic tendus and plies to warm-up, initially the footwork is basic, but gradually it becomes quite complex. The class is challenging, I am constantly trying to challenge my own instrument as well. The choreography we do during the second half of the class allows the dancers to taste my movement and style. I do not repeat combinations from class to class, but I do work with similar movements that I am drawn to.
If you could give other dancers one piece of advice?
It is extremely important to learn to keep your center strong. I am a tall dancer and I had to learn to strengthen my core to give myself the control required to dance. Once I did acquire this strength and control I was able to utilize speed much more effectively. Articulation of the entire body is also particularly important especially of the feet. These are two qualities a dancer needs to hone to take their dancing to a higher level.
Watch Korhan's Performance at the 2010 Peridance Faculty Showcase:
Korhan teaches contemporary at Peridance Capezio Center Mondays 1-2:30pm. For more information click here.
Thursday, January 27, 2011
Faculty & Student Showcases

Watch excerpts from the last showcase:
*Produced by Yarden Ronen-van Heerden
Friday, January 21, 2011
Peridance Capezio Center's KIDS FAIR







